RAPTOM

JUST IN CASE

Brand identity Naming Illustration

2019

I work at the intersection of creativity, design, and language — combining structure with emotion, and clarity with presence.My approach is grounded in pragmatism: I ask a lot of questions before doing anything, and I try to build ideas that work not only on screens or slides, but also in real processes, with real people.I believe that creativity is not about decoration — it’s about decisions.The form must serve the context, the idea must serve the user. Whether it’s a brand identity, campaign concept, or naming system, I focus on how the work will be used, by whom, and why it should matter.I’ve led creative teams and shaped projects for sectors like FMCG, HoReCa, IT, digital, and defense. My work ranges from large campaigns to early-stage launches — always with attention to rhythm, tone, and usability.Outside commercial practice, I write. My debut novel “Luny” was longlisted for the BBC Book of the Year. Writing taught me how to listen to silence — and how to design with intent, not noise.

RAPTOM

JUST IN CASE

Brand identity Naming Illustration

2019

I work at the intersection of creativity, design, and language — combining structure with emotion, and clarity with presence.My approach is grounded in pragmatism: I ask a lot of questions before doing anything, and I try to build ideas that work not only on screens or slides, but also in real processes, with real people.I believe that creativity is not about decoration — it’s about decisions.The form must serve the context, the idea must serve the user. Whether it’s a brand identity, campaign concept, or naming system, I focus on how the work will be used, by whom, and why it should matter.I’ve led creative teams and shaped projects for sectors like FMCG, HoReCa, IT, digital, and defense. My work ranges from large campaigns to early-stage launches — always with attention to rhythm, tone, and usability.Outside commercial practice, I write. My debut novel “Luny” was longlisted for the BBC Book of the Year. Writing taught me how to listen to silence — and how to design with intent, not noise.